Four Inked Pens

I own seventeen fountain pens. That’s a lot less than many people, I know, but to most people, especially those who don’t care about pens or stationary, it’s a ridiculous amount. A couple month’s ago, I wondered what it would feel like to use just a few pens, so I challenged myself to clean and store most of my collection and keep only four pens inked for a while.

Here’s what I’ve been using, and why.

Montblanc 149 100th Anniversary Edition

This is by far my most expensive pen, so you can bet it’s going to be consistently inked and used. It also happens to be my most comfortable pen for long writing sessions, with, by far, the smoothest nib on any pen I own. So this is the pen I use to write prose fiction—novels, short stories, poetry, anything but screenplays (which, though I take initial notes for them by hand, I write digitally because formatting is so much easier). Because writing is my full-time job, this pen gets used almost daily, for hours at a time. It’s nearly always inked with Diamine Oxblood (if I have a signature ink, Oxblood is it).

Pilot Vanishing Point LS

This was the first Very Expensive Pen I ever bought, and it’s also probably my most useful. The retractible nib makes it the best fountain pen I have for taking quick notes, so it stays with my bullet journal and gets used pretty much daily. If I was forced to own only one pen, it would be this one because of its combination of beauty, comfort, and utility. It’s currently inked with Kaweco Orange, which I like for its boldness and so put in a pen from time to time, but it’s not a great ink for notes, so once the current fill runs out, I’ll replace it with something darker and more professional.

Vintage Conklin Crescent Filler

I acquired this pen only a few months ago at the California Pen Show, but it’s been inked ever since. It has a flex nib, making it a joy to journal and write letters with. Since I journal almost daily, it gets used almost daily. It’s urrently inked with Diamine Walnut, which closely matches the pen’s brown hard rubber body and adds to the vintage feel of using the pen.

Kaweco Liliput, Copper

I knew when I started this experiment that I would need to keep inked a robust, durable pocket pen. I own two pocket pens, this Kaweco Liliput and a Kaweco Brass Sport. To be honest, I like the Brass Sport much more than the Liliput. It’s far more comfortable to use unposted, making it ideal for quick notes, and when I do need to post it, the cap pops onto the back in an instant, unlike the Liliput, which requires threading to post. That said, when Kaweco released their new mini converter, it solved one of my gripes with the Liliput: having to syringe fill a cartridge in order to achieve any reasonable ink capacity. So I decided to give the Liliput, which had been uninked for nearly a year, some love. I don’t use my pocket pens that often—maybe a couple times a week—so I’m going to keep using the Liliput until the converter is empty, which will probably be a while. While I don’t love this pen, I do like it. And this experiment has stopped me from selling it, which I had been seriously considering.

Bonus Pen

I lied. I have five pens inked. I really meant to ink only four, I swear. But, you see, I forgot to empty and clean my Montblanc 146, in Glacier Blue. It was tucked away in a notebook cover, and I only realized this a few days after I’d inked up my four pens. I went to empty and clean it, but then I thought, But I really love this pen! I’ve had it consistently inked since I got it over a year ago. And I use it all the time. So, even though it isn’t filling any unique use case like the other pens are, the 146 is inked pen number five. I use it whenever I feel like it, which is often. Ive never had any other ink in this pen than Montblanc Glacier Blue, because they match.

I’m sure that at some point I’ll ink up my other pens again, and I’m not going to sell off the rest of my collection in the name of minimalism or anything (in fact, I’ll certainly buy more pens, given time). But for now, I’m enjoying using just these four five pens with intention and purpose.

A Type-In to Say Goodbye to a New England Institution

A Type-In to Say Goodbye to a New England Institution

In 1980, Mr. Furrier was working for a tree trimming company when his childhood friend and neighbor, Teddy Vandewalle, told him that his father, Ed, was looking to train someone to fix typewriters at his shop in the Boston area. “He knew I was a tinkerer and just thought it would be a natural fit,” Mr. Furrier recalled.

By the end of his first day, Mr. Furrier knew he had found his calling. He spent his first week disassembling and then reassembling a portable Smith Corona and was in typewriter heaven.

What a lovely little profile—with some great photos and videos.

A journal is the path of pebbles you leave behind you, so you have the security of knowing you can always return.

— Samara O’Shea

Cultural Offering — Memories of The Blue Book

I always felt a sense of relief when I turned in my test, dropping it on the desk and exiting room. I don’t remember trying to check on how well I did by looking up details. I couldn’t change the result so I waited for the verdict.

Those of us of a certain age remember essay portions of exams taken this way. This sure brought me back.

I took the occasion of Shawn’s deciding to update his portion of the What We Use page to update mine (which had not been done since 2018!). I’ve found that I’ve simplified quite a bit since then.

Learning What I Like (and My First Vintage Pen)

Myk Daigle helps me find my first vintage pen.

At the end of the first day of last year’s California Pen Show, because I had about $600 left in my budget for the weekend, I impulse-bought a Sailor Cylint. Listen: it’s a fine pen. Really. It’s shiny, sleek, classy, very black. It feels good in the hand. It has a nice ionized 21k gold nib. It writes well.

And I’ve regretted buying it ever since.

While it’s a perfectly good pen, it turns out it’s not for me. Two years into this hobby, I’m finally accepting that I’m not a Sailor guy. I’ve bought three very different Sailors now, and I never use any of them (in fact, I’m looking to sell them all).

At that same show, I bought a Montblanc 146 in Glacier Blue, and I love it. For months, I used it nearly every day. The only reason I’ve been using it less the last few months is because late last year I went to the Wes Anderson-designed Montblanc pop-up on Rodeo Drive and bought an 100th Anniversary Origins Edition 149, which I use all the time, and which was the only pen I bought between February of last year and February of this year. Turns out, I’m a Montblanc guy, not a Sailor guy. Trust me: my wallet wishes it were the other way.

It’s not because I personally find it boring that I’ve for the last year regretted purchasing the Sailor Cylint, though. I’ve regretted it because I bought it on the first day of the three-day show, and on the last day of the show, I fell in love with another pen. I don’t remember now exactly what it was, but it was red and vintage and restored by the wonderful Myk Daigle, who had added to it a handmade sterling silver snake clip made by Andy Beliveau (who has no web presence). Man, I wanted that pen. I kept returning to Myk’s booth to stare at it, hold it, write with it. But it was $300, and I had nothing left in the budget—because I had impulse-bought a pen I would go on to not love.

Fast-forward to this year’s California Pen Show just this past weekend. I had a much smaller budget than I did last year: about $300. After first spotting, trying out, and then mourning one of my grail pens (the Montblanc Homage to Victor Hugo, which having tried in person I now know I do really like and will acquire someday), I made a beeline for Myk Daigle’s booth. I’m not sure whether Myk remembered me, but he remembered the pen I didn’t buy last year. Sure enough, that pen was gone. No surprise there. But wait! He did have one—and only one—Andy Beliveau clip with him. Not a snake, but a beautiful mermaid.

Instantly, this mermaid clip called to me even more strongly than the snake clip had. Snakes and pens go hand in hand, and they’re pretty easy to find. But mermaids?! Listen: I know something can’t be more unique on account of “unique” being an absolute adjective, but in a way, this mermaid clip is even more unique than the snake clip, because the snake clip, being handmade, was unique, while the mermaid clip is both unique and a rare thing to see on a pen. End of grammar digression.

Needless to say, I was going to buy that clip. All it needed was a pen to live on.

So Myk helped me find my first truly vintage pen (I have a couple of pens that were made in the 1980s), a Conklin Crescent Filler. After doing some research, I’ve been able to narrow down the manufacturing period to sometime between 1913 and 1920. This pen is over 100 years old! And since it was just recently restored by Myk, it of course writes beautifully, with a lovely flexible gold nib that, as a lefty overwriter, I can unfortunately take only limited advantage of.

The clip cost me $60, the pen was $220, and I was able to get a bottle of Waterman Tender Purple and a pack of Galen pocket notebooks with my remaining cash (okay, I went like $10 over budget, all told).

I wasn’t sure I was going to be a vintage pen guy. I like big, girthy pens, and vintage pens are rarely if ever those. I also like modern pens that have a sleek, classy look, like my Pilot Vanishing Point and my 100th Anniversary 149. But it turns out I don’t like all sleek, classy, modern pens—sorry, Sailor—and I should not impulse-buy them. It also turns out that I do like vintage pens—or at least, I like this one. A lot. So far, I can hardly put it down.

And I have a feeling my vintage pen journey is just beginning.

California Pen Show selfie with my partner.

The Field Notes Thing — 512 Pixels

The Field Notes Thing — 512 Pixels

At the end of every year, I publish a photo on Instagram cataloging the Field Notes notebooks I used over the previous 12 months. Here is the most recent picture.

Every year, I get questions about this. I wrote a bit about the topic in 2014, but I thought I’d do it again here. So, uhhhh, here’s an FAQ.

Super fascinating.Lots of interesting workflow details. I love getting a look into what and how other people do things.